西苏论巴斯莎芭沐浴图 9

21. We, we have lost our heads a bit?
For we are on the road to our most violent, most foreign fellow-creature.
The Ox. The Hermit. The Turned Upside Down. The Acrobat. The Paralyzed. The
Ancient Choir. The Truth. You, as I see you when I see you as you really are: and to do
this I have to draw the curtains aside, to slaughter you, to open you up—(with my gaze
only). And then, naturally, it is me that I see, it is us, nude, it is our nuditude,8
magnificent, our power bound, our shining blindness.

21、 我们,我们已经有点迷失了我们的头脑?
因为我们朝向我们最暴力,最陌生的同胞的途中。
牛,隐士。翻转的颠覆。特技表演。麻痹症。古代合唱队。真理。你,如同我看见你,当我看见你,依照你本来的样子。为了这样做,我必须将帘幕拉开一旁。为了屠杀你,为了打开你—(仅是用我的凝视)。然后,自然地,我看见的是我。是我们,赤裸,这是我们的裸身,光辉灿烂,我们被拘束的力量,我们闪亮的盲目。

Why do we adore The Slaughtered Ox? Because without our knowing it or wanting it,
it is our anonymous humanity. We are not Christ, never, Christ…no I will not speak of
this.
Stigmata 12
We are this creature, which ‘even turned upside down and decapitated and hung
beneath the earth—when it is seen with those eyes that don’t reject the below, that don’t
prefer the above—maintains its majesty.

为什么我们崇拜「被屠杀的牛」?因为那是我们自己匿名的人性,即使我们不知道它,不要它。我们并不是耶稣基督,永远不是,耶稣基督、、、不,我将不谈论这个。
圣痕 12
我们就是这个动物,维持它的威严的动物,即使被翻转颠倒,被砍头,被垂吊在地底下。假如人的眼睛不排斥底下,不偏爱上面,他们会看得出来。

Figure 1.3 Rembrandt, The
Slaughtered Ox, 1655. Paris, Musée du
Louvre.

林布兰图画1.3 「被屠宰的牛」,1966年,巴黎,罗孚宫。

Bathsheba or the interior Bible 13
Behold the portrait of our mortality. The being hung (by its shins), turned upside
down, twice decapitated.
What we become under the ax and the slicer.
There is a butcher shop on our life’s path. As children we would pass trembling before
the butcher’s window. Later on we want to forget death. We cut the dead one up into
pieces and we call it meat.

巴斯莎芭或内部的圣经 13。
请你们注意我们作为肉身的这幅肖像。从足胫被垂吊的翻转的生命,被砍头两次。
在斧头与利刃之下,我们变成的样子。
在我们生命成长的途中,存在着一家屠宰店。小孩时,我们经常经过,屠宰点的前面,恐惧战傈。后来,我们想要忘记死亡。我们将死去的牛切成为碎片。我们称它为牛肉。

雄伯译
32hsiung@pchome.com.tw
https://springhero.wordpress.com

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